
The book begins with the murder of Mary Turner, the wife of Dick Turner who is a white farmer in colonial Africa (Rhodesia which later became Zimbabwe) in the early 1900s. Then we find out what lead to Mary’s tragic fate by learning about her childhood with an abusive father and an oppressed and depressed mother. Her young adult years give a picture of a fairly confident and independent woman working in an office in a city, supporting herself and enjoying city culture with cinema, romance novels and lots of parties and friends (although shallow). Eventually out of peer pressure and advancing age, she marries Dick, a stranger, and moves out to the country to live a life in poverty and madness on his barely sustainable farm. The most interesting aspect of the story is the relationship between master and slave—all the white farmers use and abuse African workers who are paid little to nothing and who have virtually no rights under the white man’s rule. The Africans, or natives as they are referred to in the book, are viewed and treated more like animals than humans even though without them, the white farmers’ lives and riches would not be possible. Therein lies the complexity; the whites have to continue to treat the natives like slaves in order to justify their ownership and cultivation of acquired African land. Newcomers must learn this. Poor whites, like the Turners, threaten to upset this racial balance and erase the line between white and black. The book leaves several questions unanswered. For example, was Mary intimate with her houseboy Moses? What were his motives? How much did her husband understand? This book is a 9. By the way, Doris Lessing just received the Nobel Prize in literature.